My personal studio, for example, revolves around a medium-format Sony DMX-R100 console (#25), which is currently configured with 64 channels of digital I/O and 40/24 channels of analog. That’s why I prefer sitting behind a mixing desk, even if I’m operating a DAW. When making decisions about the sound of a piece of music (as opposed to the structure of the song), I find it much more intuitive to use faders, knobs, and buttons instead of a mouse as Allen Farmelo explained to me while writing the Euphonix Artist Series controller review (Tape Op #76), a different part of the brain is exercised when you’re using physical controls on a worksurface versus virtual controls on a screen. Maybe I’m old school, but I find it difficult to record and mix without a console.
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